I usually enter my work with some preconceived notion, but the theme of Taboo is allowing me to approach the work without any plan. It feels kind of wild. - Mia Feuer
I usually enter my work with some preconceived notion, but the theme of Taboo is allowing me to approach the work without any plan. It feels kind of wild. - Mia Feuer
MIA FEUER
Winnipeg-born Mia Feuer is a sculptor, associate professor of Sculpture at California College of the Arts, and mother to six year old Galileo. Her ancestors are Ashkenazi Jews who settled on the frozen Canadian Prairies of Saskatchewan five generations ago. She tends goal for the Northern California Women’s Hockey League as part of her sculptural and spiritual practice.
Part #2 - LABA PROJECT
winter 2023
Shemira (Stick On The Ice, Position, Dina, Joan)
concrete, wood, plexiglass, scagliola, pigments, silicon, polyurethane, steel, rabbit skin glue, garlic skins
Nested Sefirot
plexi-glass, wood, tape, gold leaf
Emanation Zones
plexi-glass, tape, wood, brass
Shemira explores my experience of becoming a hockey goalie, and how it led me to binah – the Kabbalistic emanation of “deep understanding.” This brutal and physically challenging position, this merciless male-dominated space, has become an arena of ecstatic spiritual healing and liberation.
I am the great, great granddaughter of a Ukrainian-born rabbi who left New York in 1901 to initiate an ill-fated Jewish Farm Colony in rural Saskatchewan. “Western Canada, land of storms, where Jewish intelligence is frozen in the depths,” he wrote. Three generations later, my father became the goaltender for the Winnipeg Jewish Men’s Hockey League. I never saw him pray, but I watched him take shots, block shots, fight, and be forced into submission. Was he, like me, tending to cycles of generational trauma? Discovering a wild connection to the divine?
Through the manipulation of intentional materials including the casting of my own body in polyurethane and garlic, Shemira explores internalized anti-semitism, misogyny, consent, gender, grief, violence, vulnerability and submission.
“In my mind this was not a simple summersault; something like an altar was glittering before me,” Kalonymus Kalman Shapira of Paseczno.